Okay so i got a few notes on how i go about Environments/Landscapes…so i’ll share a method thats easy to work with….bare with me its been a little while since ive drawn them Lol
First thing you want to start of with in your gradient background…use what ever is your preference. Depends on the setting, ima do some type of desert/dusty place.
You’ll learn that the Lasso tool is gonna be your bae when it comes to environments…that and its pretty useful. Now your going to be working in three tones, 1.Dark 2.Mid 3.Light and it will always be the darkest at the front fading to light towards the back…make sense? So you will have three layers for each one to make your life easier and Lock those layers so you will only color within that area. Make sure the dark layer is on top.
Here is where the fun kicks in…we add our dets, try to stay with each tone and dont end up making it all muddy so you cant distinguish each one. Now you can go about this any way you please, you can paint it all in with one brush ( for some reason people get anal about shit like that, thinking there great for using one brush…i think if you got tools use em if you know how to do it right.) Or you can use custom brushes…since this is a tut ill mostly use custom brushes to slap stuff around. Its up to you really, also use the lasso tool like i said its your bae.
The lasso can help define things better for you, so i wanted to add a structure type on the third layer. If you want to give an effect that the selection ive made is in front of the background right click your selection and invert it, add some lighting around the edges…only a little though you dont want to over do it.
Also if you’ve done something on a layer you dont want to mess up or paint on what you can do is create a clipping mask on that layer. Its kinda like locking the layer to that one so you dont go outside of the layer or ruin what you worked on. Make a new layer above the one you wish to attach it to and right click the newlayer, a menu will pop up, your looking for clipping mask. Once you clicked it the layer should look like what ive circled.
Once your done working on each layer we are gonna put in some mist effect, this is something that helps separate each section. So make a new layer between each of your three as shown in the image. Like i said you can use what ever method you like, i just use a soft brush or cloud/mist brush to get what i want.
Now we are going to add some definition to the image a good one to use is Curves. You can find this where your layer menu is, at the bottom you’ll find it, ive circled what your looking for. On the third image is what will appear when you click curves, all you need to do is drag the little square and you’ll see some magic happen. So adjust it to your preference. If you want you can also mess with brightness/contrast too. ALSO i would recommend adding a person in the image, it gives you an idea of the scale your environment is.
I was going to end it there but hey, ill show one last thing…its pretty simple. and that is some water reflection, we are going to turn the middle into water instead cause its a little boring right now. I merged all layers but the first one, you then want to make a selection and copy/paste. Free transform in the shortcut is ctrl T and do a vertical flip on it then adjust so its mirroring the top.
Now make a clipping mask like i explained earlier on the reflected surface and use the radiant tool…i think its called that lol it gives it more of a water surface like you see. For the image below it i used a custom brush which creates a water effect, aaaaaaaaaand bam you got you water now covering the area…easy huh.
And so this concludes the Tutorial and you have the end result. Hopefully that gave some tips on how to approach landscapes…they can be confusing sometimes on where to start. Enjoy and let me know if it was useful or not :P
wowowow tenzin your friend is trying to look out for you why you gotta make it weird
Kind of a continuation of this. I had to draw more Korra and Aasami after the book 3 finale.
Korra book 3 finale.
I think I forgot how to breathe a few times. Studio Mir did some absolutely awesome, gorgeous work. Thank you whole Korra crew!!!
I like this GIF as the sequel to my last post. I also love how buff Korra looks in that incredible animation. THAT is how she is supposed to look in every shot.
Thank you, Johane! I would also like to give a huge thanks to the Korra crews at Nick in Burbank, and in Seoul at Studio Mir and Studio Reve for a stellar season and finale. And thank you to the fans! Thanks for sticking with this show after the bumpy ride in Book 2, and the hide-and-seek network shenanigans this summer. Keep cursing the Bryke for making you feel the feels and smell the real poop. We’ll be back with Book 4 as soon as possible. Hopefully it won’t be released only on smartwatches or some other inane platform.
P.S. My umbrella term “in Burbank” failed to cover all the amazing crew members in greater LA, particularly Jeremy Zuckerman and his epic score, Benjamin Wynn for his sound design maelstrom, Aran Tanchum and Vinny Quisetti for their top-notch foley work, all of our martial arts consultants, and many others in our post production process around town. It takes a village!
Agustina de Aragón was a heroine of the Spanish War of Independence and the Peninsular War against France. She is most famous for her bravery at the Siege of Zaragoza.
In 1808, Zaragoza was one of the last cities in northern Spain not to have fallen to the forces of Napoleon and was ill-prepared for a siege. Agustina, a civiilian at the time, was present during the French attack of the Portillo gateway. Broken by the French onslaught, the Spanish began to retreat. With the French troops just a few yards away, Agustina ran forward, loaded a cannon and lit the fuse, shredding a wave of attackers at point blank range. Inspired by her act of bravery, the Spanish forces rallied and assisted her in repelling the attackers.
While this heroic defense bought time for Zaragoza, the siege was only broken for a matter of weeks, after which the French returned and this time were successful in taking the city. Agustina was captured and saw her own son killed by French guards. She later mounted a daring escape and became a low-level rebel leader for the guerrilleros, harassing the French with hit-and-run raids.
Her forces joined the alliance against the French led by the Duke of Wellington. The only female officer in Wellington’s army, Agustina eventually rose to the rank of Captain and acted as a front line battery commander at the Battle of Vitoria, which led to the French being driven out of Spain.
Following the war she married and later in life became a familiar sight in Zaragoza as a respectable old lady wearing medals. She died in 1857 aged 71.
Welp I lied, here are the last of book 3’s snapchats. Jinora has the spotlight in the final set, congrats on your tattoos, babe :)